| Indigenous music of North America: Topics |
|
|---|---|
| Native American/First Nations | |
| Chicken scratch | Ghost Dance |
| Hip hop | Native American flute |
| Peyote song | Pow wow |
| Tribal music articles | |
| Arapaho | Blackfoot |
| Dene | Innu |
| Inuit | Iroquois |
| Kiowa | Kwakwaka'wakw |
| Navajo | Pueblo (Hopi, Zuni) |
| Seminole | Sioux (Lakota, Dakota) |
| Yaqui music | Yuman |
| Related topics | |
| Music of the United States - Music of Canada | |
Peyote songs are a form of Native American music, now most often performed as part of the Native American Church. They are typically accompanied by a rattle and water drum, and are used in a ceremonial aspect during the sacramental taking of peyote. Peyote songs share characteristics of Apache music (Southern Athabascan) and Plains-Pueblo music, having been promoted among the Plains by the Apache people. Ed Tiendle Yeahquo composed over 120 peyote songs, many are still sung in NAC today. Vocal style, melodic contour, and rhythm in Peyote songs is closer to Apache than Plains, featuring only two durational values, predominating thirds and fifths of Apache music with the tile-type melodic contour, incomplete repetitions, and isorhythmic tendencies of Plains-Pueblo music. The cadential formula use is also probably of Apache origin. (Nettl 1956, p.114)
In recent years, modernized peyote songs have been popularized by Verdell Primeaux, a Sioux, and Johnny Mike, a Navajo. Jim Pepper, who came from a Kaw and Creek family, used a peyote song he learned from his grandfather as the basis for "Witchi Tai To", which has since gone on to become a jazz and pop standard.